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                <text>&lt;span&gt;&lt;span&gt;&lt;strong&gt;Director: &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;Jonas Poher Rasmussen&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Year:&lt;/strong&gt;&lt;span&gt; 2021&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; Denmark, France, Norway, Sweden*&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;Androgyny, gay, gender creative, lesbian, queer&lt;br /&gt;&lt;strong&gt;Animation Style: &lt;/strong&gt;Digital&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Documentary&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Type: &lt;/strong&gt;Explicit, feature&lt;br /&gt;&lt;br /&gt;*For simpliticy, I shall only be categorizing the top four countries that were listed in the credits involved in the co-production and included on the &lt;a href="https://www.annecyfestival.com/about/archives/2021/official-selection/film-index:film-20211791"&gt;Annecy Festival website&lt;/a&gt;.  The countries supporting the film included: Belgium, Denmark, Estonia, Finland, France, Italy, Netherlands, Norway, Slovenia, Spain, Sweden, United Kingdom, United States&lt;br /&gt;&lt;br /&gt;Can currently be watched on Amazon Prime, Hulu, or Vudu: &lt;a href="https://www.amazon.com/gp/video/detail/B09NSFR3ZW"&gt;https://www.amazon.com/gp/video/detail/B09NSFR3ZW&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;iframe width="560" height="315" src="https://www.youtube.com/embed/wgj7DUEtfg0" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>&lt;span&gt;&lt;strong&gt;Note: This film contains violence.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;In this documentary, Amin, a refugee, reveals to one of his close friends - and the director of the film - that he has lied to him for years about his past. The film delves into the trauma and hardships he and his family experienced in Afghanistan during the Soviet-Afghan War and later when they fled to Russia and lived as illegal immigrants.&lt;br /&gt;&lt;br /&gt;While the majority of the film focuses on the struggles Amin and his family endured, Amin’s sexuality is shown throughout, from his relationship with his partner, Kasper, to coming out to his family.&lt;/span&gt;</text>
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                <text>Amours Libres / Polyamory</text>
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                <text>&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;strong&gt;Director: &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;Emily Worms&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Year:&lt;/strong&gt;&lt;span&gt; 2020&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; Belgium&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;Androgyny, bisexual, gay, gender creative, lesbian, queer&lt;br /&gt;&lt;strong&gt;Animation Style: &lt;/strong&gt;Digital&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Documentary&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Type: &lt;/strong&gt;Explicit, short&lt;br /&gt;&lt;br /&gt;Can currently be watched on Vimeo: &lt;a href="https://vimeo.com/462122418"&gt;https://vimeo.com/462122418&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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                <text>&lt;span&gt;A documentary that reflects on polyamory and queerness.&lt;/span&gt;</text>
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                <text>&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;strong&gt;Director: &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;Bob Doucette&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Year:&lt;/strong&gt;&lt;span&gt; 1989&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; United States&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;Queer, queer coded, transgender&lt;br /&gt;&lt;strong&gt;Animation Style: &lt;/strong&gt;Traditional&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Drama&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Type: &lt;/strong&gt;Explicit, implicit, short&lt;br /&gt;&lt;br /&gt;Can currently be watched on Internet Archive or Light Cone: &lt;a href="https://lightcone.org/en/film-445-triangle"&gt;https://lightcone.org/en/film-445-triangle&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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                <text>&lt;span&gt;&lt;span&gt;&lt;strong&gt;Note: This film contains sexual content.&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;Animated in a German Expressionist style—an art form deeply despised by the Nazis—the short is set in the final years of the Weimar Republic, during the Nazis' rise to power and eventual control over Germany.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;The pink triangle symbol was designed by the Nazis during World War II as a badge to identify and classify queer AMAB individuals imprisoned in concentration camps.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;This is the first animated film to explore the significance of the pink triangle. In 1993, the television program &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;In the Life&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight:400;"&gt; featured an excerpt of the short in &lt;/span&gt;&lt;a href="https://www.youtube.com/watch?v=K3mhtK-WMBk&amp;amp;t=906s"&gt;&lt;span style="font-weight:400;"&gt;episode 303&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight:400;"&gt; as part of a news segment on the pink triangle. To learn more about its history, visit the &lt;/span&gt;&lt;a href="https://encyclopedia.ushmm.org/content/en/article/gay-men-under-the-nazi-regime"&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;Holocaust Encyclopedia&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight:400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Rabbit of Seville</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;strong&gt;Director: &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;Chuck Jones&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;strong&gt;Year:&lt;/strong&gt; 1950&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; United States&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;Drag, gender creative, queer&lt;br /&gt;&lt;strong&gt;Animation Style: &lt;/strong&gt;Traditional&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Comedy, music(al)&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Type: &lt;/strong&gt;Explicit, short&lt;br /&gt;&lt;br /&gt;Can currently be watched on Internet Archive: &lt;a href="https://archive.org/details/looney-tunes-s-1950e-30-rabbit-of-seville"&gt;https://archive.org/details/looney-tunes-s-1950e-30-rabbit-of-seville&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;iframe width="640" height="480" src="https://archive.org/embed/looney-tunes-s-1950e-30-rabbit-of-seville" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>&lt;span&gt;Bugs Bunny and Elmer Fudd cause chaos during a performance of Rossini’s &lt;/span&gt;&lt;em&gt;The Barber of Seville&lt;/em&gt;&lt;span&gt;. &lt;br /&gt;&lt;br /&gt;There are two instances of drag in this film. First, Bugs appears as a flirtatious woman, and near the end, Elmer unexpectedly switches into a wedding dress while Bugs plays the groom.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Katie is excited to go to film school and finally be among people who understand her. At the last minute, her Dad decides that he and the rest of her family should drive her to school. What she expects to be a typical cross-country family trip turns into an unexpected adventure when they must stop a looming robot apocalypse.&lt;br /&gt;&lt;br /&gt;While Katie is explicitly queer in the film, she does not label herself. Netflix posted a video titled &lt;em&gt;&lt;a class="in-cell-link" href="https://www.youtube.com/watch?v=41u9eJHa5Gw"&gt;Katie Mitchell: A Protagonist of Our Time&lt;/a&gt;&lt;/em&gt; on their YouTube channel. In the interviews with the crew, including Katie's voice actress Abbi Jacobson, known for her comedic talents and work as a television writer, some consider Katie as "gay," while others describe her as "queer." Therefore, I will categorize her as both.&lt;/span&gt;</text>
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                <text>&lt;span&gt;&lt;strong&gt;Note: This film contains suicidal imagery.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A touching tribute to the director’s friend Shannon Cara Jamieson, whose struggle with balancing her religious faith and sexuality contributed to her eventual suicide. The short contains a multitude of examples of Shannon’s work, including her music, art, photography, and video recordings.&lt;br /&gt;&lt;br /&gt;In an &lt;a href="https://blog.nfb.ca/blog/2019/07/17/shannon-amen-chris-daintys-animated-elegy/"&gt;article&lt;/a&gt; about the film on NFB's blog, Shannon also viewed herself as queer, and I have included that tag for this work.&lt;/span&gt;</text>
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                <text>&lt;span&gt;A short inspired by the different ways the director came out to his friends. &lt;br /&gt;&lt;br /&gt;While the character does not explicitly state his identity, on Vimeo, the short is tagged gay and queer.&lt;br /&gt;&lt;br /&gt;Hamish Steele is an Eisner Award-winning comic book author, animation director, television writer, and showrunner. Despite receiving outstanding critical praise for his work on Netflix's &lt;em&gt;Dead End: Paranormal Park&lt;/em&gt; (adapted from his graphic novel &lt;em&gt;DeadEndia&lt;/em&gt;), the show was canceled after two seasons. In 2023, at the GLAAD Awards, &lt;em&gt;Dead End: Paranormal Park&lt;/em&gt; won for Outstanding Kids &amp;amp; Family Programming.&lt;/span&gt;</text>
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                <text>&lt;span&gt;&lt;strong&gt;Note: This film contains sexual violence, suicidal imagery, and violence.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;On Christmas Eve, three unhoused individuals—Hana, a trans woman; Miyuki, a runaway teenager; and Gin, a middle-aged man—embark on a journey to reunite an abandoned baby with her family.&lt;br /&gt;&lt;br /&gt;In 2020, a new English dub was released, with Hana voiced by Shakina Nayfack, an activist and actor, and Mother voiced by Kate Bornstein, an author, gender theorist, and playwright.&lt;/span&gt;</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;strong&gt;Director: &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;Gil Goletski&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;strong&gt;Year:&lt;/strong&gt; 2018&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; Canada&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;Queer, transgender&lt;br /&gt;&lt;strong&gt;Animation Style: &lt;/strong&gt;Digital, stop motion, traditional&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Drama, experimental&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Type: &lt;/strong&gt;Explicit, short&lt;br /&gt;&lt;br /&gt;Can currently be watched on Vimeo: &lt;a href="https://vimeo.com/265793714"&gt;https://vimeo.com/265793714&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;iframe width="640" height="360" src="https://player.vimeo.com/video/265793714?h=7295521395" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;
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