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                <text>&lt;span&gt;&lt;span&gt;&lt;strong&gt;Director: &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;Ann Marie Fleming&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;Year:&lt;/strong&gt;&lt;span&gt; 2018&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; Canada&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;Androgyny, intersex, lesbian, &lt;span&gt;nonbinary, &lt;/span&gt; queer, transgender&lt;br /&gt;&lt;strong&gt;Animation Style: &lt;/strong&gt;Digital&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Documentary, music(al)&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Type: &lt;/strong&gt;Explicit, short&lt;br /&gt;&lt;br /&gt;Can currently be watched on Facebook or NFB: &lt;a href="https://www.nfb.ca/film/short-film-about-tegan-sara/"&gt;https://www.nfb.ca/film/short-film-about-tegan-sara/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;iframe width="560" height="315" src="https://www.nfb.ca/film/short-film-about-tegan-sara/embed/player/" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;
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                <text>&lt;span&gt;This short documentary focuses on the musical duo Tegan &amp;amp; Sara and how their various identities—as identical twins, Calgarians, queer women, and artists—intersect and impact their music and activism.&lt;/span&gt;</text>
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                <text>When running for president, Betty Boop puts on a performance for the crowd. This includes two male impersonations which are in reference to Herbert Hoover and Al Smith. Interestingly, despite the masculine appearance, the rest of her outfit is very form fitting. &lt;br /&gt;&lt;br /&gt;Later on, when Betty Boop is declaring how she will change the country, we see how she will handle prison reform: instead of being electrocuted, a gruff prisoner is transformed into a queer coded pansy character.</text>
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                <text>&lt;strong&gt;Director:&lt;/strong&gt; Dave Fleischer&lt;br /&gt;&lt;strong&gt;Year:&lt;/strong&gt; 1932&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Country:&lt;/strong&gt; United States&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality:&lt;/strong&gt; Drag, queer coded &lt;br /&gt;&lt;strong&gt;Animation Style:&lt;/strong&gt; Traditional &lt;br /&gt;&lt;strong&gt;Genre:&lt;/strong&gt; Comedy, music(al) &lt;br /&gt;&lt;strong&gt;Type:&lt;/strong&gt; &lt;span&gt;Implicit, short&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Can currently be watched on YouTube: &lt;a href="https://youtu.be/ClplCxUVfFw"&gt;https://youtu.be/ClplCxUVfFw&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/ClplCxUVfFw" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>&lt;span&gt;A closeted young fellow wants to make a splash during the summer, and it involves a certain itsy, bitsy, teenie, weenie, yellow polka dot bikini.&lt;/span&gt;</text>
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                <text>&lt;strong&gt;Director:&lt;/strong&gt; &lt;span class="prettify"&gt;Lasse Persson&lt;/span&gt; / Lisa Tulin&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Year:&lt;/strong&gt;&lt;span&gt; 2004&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; Sweden&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality:&lt;/strong&gt; Transgender&lt;br /&gt;&lt;strong&gt;Animation Style:&lt;/strong&gt;&lt;span&gt; Digital&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Genre:&lt;/strong&gt; Comedy, music(al)&lt;br /&gt;&lt;strong&gt;Type:&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Explicit, short&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Can currently be watched on Vimeo: &lt;a href="https://vimeo.com/80381916"&gt;https://vimeo.com/80381916&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe width="640" height="352" src="https://player.vimeo.com/video/80381916?h=275aeb0013" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;
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                <text>Con Qué la Lavaré / With What Shall I Wash</text>
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                <text>&lt;span&gt;&lt;strong&gt;Note: This film contains sexual content.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;In an homage to the Spanish queer artists of the 20th century, this short weaves the medieval song "&lt;a href="https://www.youtube.com/watch?v=hW78088LmXc"&gt;Con Qué la Lavaré&lt;/a&gt;" with imagery connected to queerness, spirituality and sex work.&lt;br /&gt;&lt;/span&gt;</text>
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                <text>&lt;strong&gt;Director: &lt;/strong&gt;María Trénor&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Year:&lt;/strong&gt;&lt;span&gt; 2003&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; Spain&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;Androgyny, gay, gender creative, queer, transgender&lt;br /&gt;&lt;strong&gt;Animation Style:&lt;span&gt; &lt;/span&gt;&lt;/strong&gt;&lt;span&gt;Digital&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Drama, music(al)&lt;br /&gt;&lt;strong&gt;Type:&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Explicit, short, digital&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Can currently be watched on Vimeo or YouTube: &lt;a href="https://vimeo.com/396550099"&gt;https://vimeo.com/396550099&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe width="640" height="480" src="https://player.vimeo.com/video/396550099?h=c071bff43a" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;
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                <text>&lt;strong&gt;Director:&lt;/strong&gt; Dave &lt;span&gt;Fleischer&lt;/span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Year:&lt;/strong&gt;&lt;span&gt; 1931&lt;br /&gt;&lt;strong&gt;Country:&lt;/strong&gt; United States&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Gender and Sexuality: &lt;/strong&gt;&lt;span&gt;Gender creative, queer coded&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Animation Style:&lt;/strong&gt;&lt;span&gt; Traditional&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Genre: &lt;/strong&gt;&lt;span&gt;Comedy, fantasy, music(al)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Type: &lt;/strong&gt;&lt;span&gt;Explicit, implicit, short&lt;br /&gt;&lt;br /&gt;Can currently be watched on YouTube: &lt;a href="https://youtu.be/TAPXki0QBxE"&gt;https://youtu.be/TAPXki0QBxE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;iframe width="560" height="315" src="https://www.youtube.com/embed/TAPXki0QBxE" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>&lt;span&gt;An adaptation of Red Riding Hood features Betty Boop portraying the lead character.&lt;br /&gt;&lt;br /&gt;While heading to her grandmother's house, she stops to pick flowers, including a pansy. Later, a talking tree states, 'the fairies like them too,' before making an effeminate pose. As discussed in &lt;em&gt;Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940&lt;/em&gt; (Chauncey, 1994), the term 'fairy' was associated with gay men during this period and as early as the 1890s (p. 99). The usage of a queer coded gesture further indicates to the audience the intended meaning of the line, in case they were unfamiliar with the word 'fairy' and its association with gay men.&lt;/span&gt;</text>
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